MD Mythos: the lyre

From: MarshaV (marshalz@charter.net)
Date: Sun Aug 07 2005 - 14:10:34 BST

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     From 'The WOMAN'S DICTIONARY of Symbols & Sacred Objects' by Barbara G.
    Walker:

            Pre-Hellenic Mother Goddesses often appeared holding lyres, both as a
    symbol of the alter *horns*, and as a reminder that the musical sounds they
    invented were said to have initiated the birth of the universe. According
    to Scipio the Elder, the seven-stringed lyre was directly connected with
    the heavens: "The spheres . . . produce seven distinct tones; the septenary
    number is the nucleus of all that exists. And men, who know how to imitate
    this celestial harmony with the lyre, have traced their way back to the
    sublime realm.
            One of the men most frequently credited with this ability was the highly
    popular savior Orpheus, whose cult was a serious rival of early
    Christianity and a model for many of its sacraments. Orpheus descended
    into the underworld and returned, like Jesus, bearing the revelations
    whereby his followers could achieve resurrection. The classic myth of
    Orpheus's descent in search of his bride Eurydice was a red herring,
    designed to conceal the fact that Eurydice was only another name of the
    underground Goddess, Persephone, to whom Orphics prayed for a happy
    afterlife. The Orphic Mysteries taught that the Goddess would make each
    enlightened one "god instead of mortal." The *head* of Orpheus was
    supposed to reside in a sacred *cave* and produce oracular speeches and
    songs, like the head of Osiris at Abydos. The lyre that served as his
    instrument of transcendence was placed in the stars, as the constellation
    Lyra, which contains the brightest star of the summer, Vega. That the lyre
    first produced the seven-toned "music of the spheres" became embedded in
    European tradition and contributed to the formation of the present musical
    scale.

    Dear David,

    Your paper was very good. You might even be said to have some of the
    lyre's touch. But your telling of the Orphic story was very shallow. The
    story is much older and much deeper than your telling. The story is about
    something lost. The important question is: What's been lost??? What has
    been lost in our patriarchal, anthropocentric lives and culture? It's our
    connection to the FEMININE, the creative and dynamic experience. Until
    there is cohesion between the masculine and the feminine humanity will
    remain lost.

    Marsha

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