From: MarshaV (marshalz@charter.net)
Date: Sun Aug 07 2005 - 14:10:34 BST
 From 'The WOMAN'S DICTIONARY of Symbols & Sacred Objects' by Barbara G. 
Walker:
        Pre-Hellenic Mother Goddesses often appeared holding lyres, both as a 
symbol of the alter *horns*, and as a reminder that the musical sounds they 
invented were said to have initiated the birth of the universe.  According 
to Scipio the Elder, the seven-stringed lyre was directly connected with 
the heavens: "The spheres . . . produce seven distinct tones; the septenary 
number is the nucleus of all that exists.  And men, who know how to imitate 
this celestial harmony with the lyre, have traced their way back to the 
sublime realm.
        One of the men most frequently credited with this ability was the highly 
popular savior Orpheus, whose cult was a serious rival of early 
Christianity and a model for many of its sacraments.  Orpheus descended 
into the underworld and returned, like Jesus, bearing the revelations 
whereby his followers could achieve resurrection.  The classic myth of 
Orpheus's descent in search of his bride Eurydice was a red herring, 
designed to conceal the fact that Eurydice was only another name of the 
underground Goddess, Persephone, to whom Orphics prayed for a happy 
afterlife.  The Orphic Mysteries taught that the Goddess would make each 
enlightened one "god instead of mortal."  The *head* of Orpheus was 
supposed to reside in a sacred *cave* and produce oracular speeches and 
songs, like the head of Osiris at Abydos.  The lyre that served as his 
instrument of transcendence was placed in the stars, as the constellation 
Lyra, which contains the brightest star of the summer, Vega.  That the lyre 
first produced the seven-toned "music of the spheres" became embedded in 
European tradition and contributed to the formation of the present musical 
scale.
Dear David,
Your paper was very good.  You might even be said to have some of the 
lyre's touch.  But your telling of the Orphic story was very shallow.  The 
story is much older and much deeper than your telling.  The story is about 
something lost.  The important question is:  What's been lost???  What has 
been lost in our patriarchal, anthropocentric lives and culture?  It's our 
connection to the FEMININE, the creative and dynamic experience.  Until 
there is cohesion between the masculine and the feminine humanity will 
remain lost.
Marsha
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