Re: MD the metaphysics of freedom

From: Dan Glover (daneglover@hotmail.com)
Date: Fri Jul 30 2004 - 17:48:29 BST

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    Hello everyone

    >From: Valuemetaphysics@aol.com
    >Reply-To: moq_discuss@moq.org
    >To: moq_discuss@moq.org
    >Subject: Re: MD the metaphysics of freedom
    >Date: Tue, 27 Jul 2004 15:19:26 EDT
    >
    >
    >Mark 27-7-04: Pirsig uses the term Quality in two ways - One to refer to
    >all
    >of reality and the other in a common language sense.

    Hi Mark

    I believe the reason Quality is capitalized is to denote a difference in the
    way the author uses the word, yes.

    >Now if you are presented
    >with two violins, one a mass produced 'stamped and glued job' and the other
    >a
    >strad, which one is better?
    >One may say, "the strad is higher Quality," and many may agree, but i feel
    >the MOQ has more to say...
    >Violin, musician, social meaning and intellectual articulation are missing
    >from the statement, "The strad is higher Quality than the mass produced
    >violin,"
    >although this statement is certainly empirically verifiable.
    >The mass produced job may be played well by a master violinist like Stephan
    >Grappelli for example, but how much better played the strad, and why?
    >Coherence may be used here to indicate the flavour of moment in more
    >detail.
    >Do you feel this may be more suited to a society of MOQ driven
    >intellectuals
    >Dan? A society such as ours, here in the MOQ.org?

    Are you saying the term coherence is a "strad" compared to the term quality?
    I couldn't disagree with you more.

    >
    >
    >Could you point me to where I could find the audio lecture?
    >
    >Mark 27-7-04: Please follow this link:
    >http://www.conferencerecording.com/conflists/ahp93.htm
    >You can order a copy from here, i don't have a transcript i'm afraid.
    >The film 'a river run's through it' is simply mentioned by Pirsig once on
    >this recording when he is remembering the view from his teaching room
    >discussed
    >in ZMM. I assume Pirsig has watched the film because he refers to it in
    >order
    >to convey the beauty of this area to the conference members.

    I checked out the link you provided but it's out of date. Actually I came
    across the same site some time ago and it was out of date then too. I'd be
    leery of ordering anything from there. Thank you anyway.

    >
    >Perhaps this quote of Robert Pirsig's in LILA'S CHILD will reduce the
    >confusion: "In German there are two words for “know,” kennen and
    >wissen. The
    >
    >Zen approach reduces Wissenschaft (scholarly knowledge) and thereby
    >improves
    >Kenntnis (recognition without intellectual interposition)."
    >
    >RMP expounds on how a person buys a car and then begins seeing the same
    >cars
    >everywhere that they never noticed before. The same is happening in the
    >case
    >of coherence perhaps. And it has something to do with what I said about
    >knowing but having to remember the knowing.
    >
    >Mark 27-7-04: The same topic is discussed on the AHP93 tape.
    >Coherence is situational - it's a moment in which DQ directs patterns into
    >coherence.
    >I like this diagram:
    >
    >Event stream (DQ) SODV --------> Coherence <-------- Evolution (DQ) Lila.
    >
    >Coherence is sq-sq tension - the optimum patterned state; the best of all
    >states.
    >Event stream (DQ) SODV --------> sq-sq <-------- Evolution (DQ) Lila.
    >
    >As sq becomes ever more sophisticated and varied coherence always remains
    >harmonious.
    >Coherence is the sweet spot.
    >Event stream (DQ) SODV --------> sweet spot <-------- Evolution (DQ) Lila.
    >
    >Coherence is freedom from patterning within patterning.
    >Event stream (DQ) SODV --------> freedom <-------- Evolution (DQ) Lila.
    >This is why i feel coherence is stillness in action because action is a sq
    >pattern also.
    >A master, 'makes it look easy' because the master does not try. The master
    >is
    >a highly coherent pattern.
    >
    >Make any sense Dan?

    It appears you believe Dynamic Quality is a positive influence on static
    quality. I had the opportunity to ask Robert Pirsig about this during the
    work on the LC project:

    Dan Glover: When you say Dynamic Quality is always affirmative, at first I
    took it to mean that DQ is always positive. By comparing all three terms
    [dictionary definitions omitted] I sense a common thread of evaluation
    leading to confirmation, which is neither positive or negative. Those terms
    come later, after further intellectualization. Is that your thinking too?

    Robert Pirsig: Yes, my statement that Dynamic Quality is always affirmative
    was not a wise statement, since it constitutes a limitation or partial
    definition of Dynamic Quality. Whenever one talks about Dynamic Quality
    someone else can take whatever is said and make a static pattern out of it
    and then dialectically oppose that pattern. The best answer to the question,
    "What is Dynamic Quality?" is the ancient Vedic one -- "Not this, not that."
      (LILA'S CHILD, page 527)

    So I would say that when you construct diagrams as the one above you are
    taking what is said about Dynamic Quality and making it into a static
    pattern which can then be opposed by someone else. It doesn't seem to be a
    wise move.

    Thank you for your comments,

    Dan

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