From: MarshaV (marshalz@charter.net)
Date: Mon Sep 05 2005 - 17:53:03 BST
Hi Platt,
I prefer to paint people experiencing freedom. I have two paintings
presently in-process. One is of a little girl, about six years-old,
running down the street. The larger amount of space is behind her which
suggests she's running away from something. To help facilitate the
suggestion there is a black wrought-iron railing in the background. She
has a delighted expression, like her escape is giving her the time of her
life.
The other painting is of a barefooted woman in a gown standing on a swing
hung from a tree. She will also have a delighted expression. I don't want
to paint angst. I'm tired of angst. What moves me is freedom and joy.
I do not know what 'art for art's sake' means. I paint because I must, or
I will die. It sounds silly, but I know it to be metaphorically true.
Marsha
At 11:30 AM 9/5/2005 -0400, Platt wrote:
>I paint landscapes like those of the impressionists because they appeal to
>my individual aesthetic sensibility although the portraits of artists like
>Sargent, Rembrandt, Valesquez and Vermeer profoundly affect me. I've never
>been moved by any abstract art with two exceptions -- the sculpture
>entitled "Bird in Space" by Brancusi and the mobiles by Calder. (IMO
>Picasso laughed all the way to the bank.) As for "art for art's sake,"
>IMO art has one purpose and one purpose only, expressed best by Walter
>Pater:
>
>"For art comes to you proposing frankly
>To give you nothing but the highest quality
>To your moments as they pass,
>And simply for those moments sake."
>
>Which explains why people all over the world flock to museums.
>
>How would you answer your questions?
>
>Best,
>Platt
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