Re: MD Awareness and intuition.

From: Elizaphanian (elizaphanian@tiscali.co.uk)
Date: Mon May 05 2003 - 09:16:42 BST

  • Next message: Elizaphanian: "Re: MD 'unmediated experience'"

    Hi Joe,

    This was really interesting. At the moment I don't have a direct comment; I just want to mull on it
    for a while. If I could try to summarise it, would it be fair to say the following: that all of
    reality is quality, but whether it is sq or dq depends entirely upon our perception?

    Sam

    "Even to have expressed a false thought boldly and clearly is already to have gained a great deal."
    Wittgenstein, 1948
    ----- Original Message -----
    From: "Joe" <jhmau@sbcglobal.net>
    To: <moq_discuss@moq.org>
    Sent: Friday, May 02, 2003 7:28 PM
    Subject: Re: MD Awareness and intuition.

    : Hi Sam and All,
    :
    : Your post of 22 April 2003 2:23 AM was thought provoking. I answered what
    : Icould, but the stew of "instinctive sensing of reality" keeps bubbling.
    :
    : I want to examine a pattern intuited from the activity of a brain intuiting
    : the dq aspect from the point of view of the brain's relationship to
    : awareness. I have changed the subject name to MD Awareness and intuition.
    :
    : Excerpts from AUGURIES OF INNOCENCE by William Blake:
    : To see a World in a Grain of Sand,
    : And a Heaven in a Wild Flower,
    : Hold infinity in the Palm of your Hand,
    : And eternity in an Hour.
    :
    : To see a World in a Grain of Sand? It seems reasonable that anything can be
    : reduced to smaller particles. I will do some supposing. Suppose that the
    : smallest particle of something learned in a pattern is a vibration in a
    : medium. Dq is undefined and will only be an aspect of a patttern. Is it
    : possible that what I learn includes much more than I am aware of.
    :
    : I will list some mediums of vibrations. Light moves through a continuum
    : generated by the sun and planets. Gravity surrounds the earth. Is
    : awareness a field generated by my DNA? Our planet has a thinning atmosphere
    : as I climb higher. Our planet contains a magnetic field. Shock waves pass
    : through the Earth.
    :
    : Suppose that I have different brains to interpret vibrations from different
    : mediums, e.g., Earth, magnetic field, atmosphere, gravity, awareness,
    : continuum. Is it reasonable that an instinctive sense of reality is
    : configured to derive patterns from vibrations? The inorganic pattern is
    : known by contact, light, and sound. The organic pattern is known in its
    : rebellion against gravity. The simplest organic organisms are one-brained.
    : They intuit a dq aspect different from gravity. The social pattern is known
    : in its means of reproduction. The social organisms are two-brained,
    : intuiting two aspects of dq. The intellectual pattern is known in its
    : certainty for action. The intellectual organisms are three-brained. They
    : can intuit three aspects of dq in a pattern, namely, purpose, existence, and
    : quality. "To see a World in a Grain of Sand" can mean an awareness of the dq
    : in a sq pattern of evolution, a vibration.
    :
    : While singing, I can raise or lower the note. I shape the vibrations in air
    : with the form of my mouth and throat. I form patterns and create another's
    : acceptance or rejection by intensifying the pattern.
    : Musical notes Do, Re, Mi, Fa, Sol, La, Ti, Do, or A, B, C, D, E, F, G, A, or
    : 1, 2, 3, 4, 5, 6, 7, 8, indicate intervals. The intervalls have depth, flat
    : or sharp. The chords based on those notes have been given names: Tonic,
    : Supertonic, Mediant, Sub-dominant, Dominant, Sub-mediant, Seventh or leading
    : tone, Tonic (octave) or I, II, III, IV, V, VI, VII, I. "Some notes sound
    : better together than others....In any key, there are three chords which
    : appear in virtually every basic progression." THE GUITAR HANDBOOK, by Ralph
    : Denyer, p. 78. "Chords are ordinarily built by superposing intervals of a
    : third....The simplest chord is the triad, a chord of three tones obtained by
    : the superposition of two thirds." HARMONY, by Walter Piston, Thnird Edition,
    : p. 10. "Consonant and dissonant intervals. A consonant interval is one
    : which sounds stable and complete whereas the characteristic of the dissonant
    : interval is its restlessness and its need for resolution into a consonant
    : interval. These qualities are admittedly open to subjective, personal, and
    : evolutionary interpretation but it is clear that in the common practice of
    : composers the following classification holds true.
    : Consonant-the perfect intervals and the major and minor thirds and
    : sixths.
    : Dissonant- the augmented and diminished intervals and the major and
    : minor seconds, sevenths, and ninths.
    : (Exception- the perfect fourth is dissonant when there is no tone
    : below its lower tone. It is consonant when there is a third or perfect
    : fifth below it.)" op. cit., p.6.
    :
    : I compare intuiting the three aspects of dq in a sq pattern to hearing a
    : musical chord. I sense the aspect 'I learn' the note C, the aspect 'I move'
    : the note G, the aspect 'I am' the note F. All three notes are present in a
    : quality pattern, a C major chord. My awareness can include the tonic chord
    : from one brain, the dominant from a second brain, the sub-dominant from a
    : third brain. Dq intuited in different aspects. The pattern contains the dq
    : like the tonic of three different keys. Variations in the pattern change
    : intensity. I am aware. I remember. 'I am', the sub-dominant chord, is a
    : dissonant interval anless another stands below it. Each step is unique, and
    : if not followed precisely the tone augments or diminishes--I see shadows in
    : a cave, or I do what I do not want to do, or I become what I hate.
    :
    : My awareness generated by my DNA is also a pattern. Unlike other patterns
    : this is my individual pattern. I compare the dq aspects of my awareness to
    : a G major Chord. Initially I resonate to the G, the tonic in other
    : patterns, and then the dominant D, then sub-dominant C. I do not resonate
    : to the note F from the previous example, unless I change my awareness. This
    : would be a dq movement. I change my awareness, I learn something new, I
    : become more. I make an effort to thear F. I am not ordinarily aware of my
    : brains. With effort I can separate out dq activity in a pattern. This is
    : my interpretation of Pirsig's distinction between dq and sq.
    :
    : Joe
    :
    :
    :
    : MOQ.ORG - http://www.moq.org
    : Mail Archives:
    : Aug '98 - Oct '02 - http://alt.venus.co.uk/hypermail/moq_discuss/
    : Nov '02 Onward - http://www.venus.co.uk/hypermail/moq_discuss/summary.html
    : MD Queries - horse@darkstar.uk.net
    :
    : To unsubscribe from moq_discuss follow the instructions at:
    : http://www.moq.org/md/subscribe.html
    :

    MOQ.ORG - http://www.moq.org
    Mail Archives:
    Aug '98 - Oct '02 - http://alt.venus.co.uk/hypermail/moq_discuss/
    Nov '02 Onward - http://www.venus.co.uk/hypermail/moq_discuss/summary.html
    MD Queries - horse@darkstar.uk.net

    To unsubscribe from moq_discuss follow the instructions at:
    http://www.moq.org/md/subscribe.html



    This archive was generated by hypermail 2.1.5 : Mon May 05 2003 - 09:29:56 BST