Re: MD SQ-SQ tension in Mozart's Symphony No38

From: Matthew Poot (mattpoot@hotmail.com)
Date: Tue Feb 17 2004 - 04:20:54 GMT

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    Hello,

    Mark: That tension IS us at the moment of listening, plus the patterns of the music - in the event stream - DQ in action

    For me, tension (in the actual sense of the word) both harmonically, rhythm , everything, draws me to my current selection of musical listening (King Crimson, The Power To Believe[2004]). There is definitely DQ, put into the composition itself...not just in my listening experience.

    Some pieces it is not the tension, but the cohesion, and pleasing harmony. Yet, I guess this is still tension. I suppose that the word tension can have multiple uses, as opposed to the one we know, which is referred to the feeling, tense. Relaxed music, is still apart of the tension.

    What do you mean when you say 'SQ-SQ'?

    Matt
      ----- Original Message -----
      From: Valuemetaphysics@aol.com
      To: moq_discuss@moq.org
      Sent: Monday, February 16, 2004 12:46 PM
      Subject: Re: MD SQ-SQ tension in Mozart's Symphony No38

      In a message dated 2/16/04 12:45:48 PM GMT Standard Time, pholden@sc.rr.com writes:

        If it's snobby to find some music better than other music (I don't
        consider drum beating music), then I happily plead guilty. My question to
        you: Why mess around with less than the best of human achievement? Why
        compromise on quality?

        Regards,
        Platt

      Dear Platt,
      You raise interesting questions. I am not sure if i can shine a light on them, but we do agree there is a region of musical excellence, at least in the Western tradition?
      There is also one in the East, and to us it may sound like absolute rubbish? I have found Indian Raga to be on a par with Mozart, better even, and i say that because Indian Raga is very Dynamic.
      This leads me to the central point as i understand it: SQ-SQ tension.
      c.
      For those banging drums, that experience is valid also.
      Maybe a modern composer may take sophisticated drum patterns, apply them to Mozart like harmonics, and move on towards new things?

      All the best,
      Mark

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