Re: MD levels

From: Platt Holden (pholden@sc.rr.com)
Date: Wed Nov 06 2002 - 16:52:51 GMT

  • Next message: Magnus Berg: "Re: MD levels"

    Hi Steve, Magnus:

    > Steve wrote:
    > > Would you then agree that the levels do not not represent types of
    > > things, ie types of patterns of value?
     
    Magnus:
    > I agree to the former but not the latter.
    >
    > Patterns are not things. Things are *composed* of patterns. All things you
    > can see and touch are at least composed of inorganic patterns. And if the
    > are eatable, the are also composed of biological patterns, and so on. These
    > are the dimensions Jonathan mentioned, correct me if I'm wrong.

    Platt:
    I agree with Magnus.

    Steve:
    What type of awareness does a person have who has not attained this
    mystical union.

    Platt:
    A person has all-level awareness with different degrees of awareness at
    each level, depending on his life history. (See next answer.)

    Steve:
    Does it make sense to say that a person has a certain level of
    awareness within each level and is not restricted to one level of
    awareness?

    Platt:
    Yes. Lila had great biological awareness, some social awareness, very
    little intellectual awareness. Others have different degrees of awareness
    at different levels at different times. Generally, the more intellectual
    awareness, the better--except that subject-object intellect is flawed.
    Pirsig hints at an even higher level related to art. To me, the highest
    level a person can permanently attain combines science and art, where
    one is an inventor and designer, experimenter and a poet, a dreamer
    and an entrepreneur all at once. Ben Franklin was one such.

    Steve:
    Do people climb a ladder of increased awareness from one level to the
    next.

    Platt:
    A normal progression occurs from childhood to adult. A few push
    against the learned static patterns of society and ideas into the
    "conceptually unknown." This is the realm where science and art join in
    common enterprise to explore the "undifferentiated aesthetic
    continuum." (Refer to Pirsig's SODV Paper.)

    Platt

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