Re: MD Intellect as Consciousness

From: hampday@earthlink.net
Date: Sat Jul 23 2005 - 02:01:15 BST

  • Next message: ian glendinning: "Re: MD Collective consciousness"

    Paul, Platt, and all --

    Thank you, Paul, for taking the time to respond in a meaningful way to my
    queries.

    [Ham, previously]
    > Apart from particular notions of what the objects of perception are
    > and what language a person speaks, do you really believe that
    > the thought processes of a native Ugandan are significantly
    > different than the thought processes of a North American?

    [Paul]
    > It depends on what you mean by thought processes. Do you mean to
    > distinguish between the process of thinking and the thoughts? If so, what
    > is there of philosophical interest to "thought processes" minus the
    > thoughts? ...
    >
    > My basic question to you is - did Neanderthals reason?

    I think the Neanderthals had the capacity to reason, as demonstrated by the
    development of their frontal lobes, and by evidence found of hunting
    implements fashioned from stones, cave paintings, and garments made from
    animal skins. They weren't about to discover the principles of astronomy or
    energy conversion because their lives didn't depend on it. But their
    migration habits have been shown to follow the routes most favorable for
    food supply and they established a tribal culture which was most likely
    enhanced by primitive vocal communication. All of these activities required
    a level of reasoning beyond that of the primates. The fact that
    anthropologists have noted cultural progress over successive generations
    establishes further proof of the Neanderthals' reasoning capacity.

    [Ham]
    > You offer the example of "a human born into isolation".
    > Do you believe that thought (e.g., cognition and reasoning)
    > cannot occur without language or a cultural heritage?

    [Paul]
    > I don't equate thought with cognition, it's too broad a word, it
    > includes too many other things, some of which I would think are primary
    some
    > of which aren't. Yes, I think reasoning cannot occur without language.
    You
    > see, I don't think, like some people do (not saying you), that a dog that
    > lifts its paw because it gets food or a dolphin that jumps through hoops
    for
    > fish is demonstrating something like reason. Nor do I think that when man
    > learned how to start fires he had reasoned it out. I think reasoning is a
    > culturally learned skill.

    Let's start with what kind of thought you consider to be "primary". Is
    self-consciousness primary enough? A cognizant animal that decorates itself
    or its habitat in a creative way is displaying something of itself that
    can't be explained by simple animal instinct. To me such creativity reveals
    a sense of selfness that I would consider self-consciousness.

    [Ham]
    > Is it your position that the consciousness or mind of a
    > human being is no more than a reflection of his
    > or her acculturation?

    [Paul]
    > I think *intellectual consciousness* is cultural i.e. I think
    > abstract symbol manipulation is a learned skill.
    > This is what I refer to as mind. I think consciousness
    > as a synonym for experience is primary but I
    > wouldn't say "consciousness or mind" as if they are necessarily
    > the same thing like you do. Mind can mean almost anything,
    > particularly in philosophy, so it isn't a good word unless you
    > define it clearly and not just assume that everyone uses it in
    > the same way. I also struggle with what is consistently meant
    > by consciousness.

    Fair enough. These are difficult terms to define because they do tend to
    overlap.
    It's my position that consciousness can be reduced to "sensible awareness",
    whether human or animal, and that this capacity implies "consciousness"
    because the organism that is aware of its sensibilities must also integrate
    them within its own experience. I also don't think self-consciousness and
    the ability to conceptualize from experience are found in species other than
    Homo-sapiens, which is why I regard man as a "special" creature.

    [Ham]
    > If it is your belief that the individual contributes nothing of his own to
    > society, how do you explain the intellectual advance of a culture?

    [Paul]
    > New intellectual patterns are created by the response of the existing
    > static patterns of an individual human being to DQ. That is how cultures
    > advance intellectually. Or as Pirsig puts it in SODV ("Conceptually
    > Unknown" is a word he suggests as another term for DQ)

    Here you begin to lose me. What is the difference between forming original
    concepts based on personal experience and responding to existing patterns in
    a new way? And what does the "Conceptually Unknown" have to do with such
    concepts? Is Pirsig saying that the observer's ability to form subjective
    impressions (proprietary cognizance) in his investigations of the physical
    world an "unknown quantity"? Or is he simply adopting the "positivists"
    position that scientific data must not be tainted by the bias of
    subjectivity?

    [Paul]
    > "I think science generally agrees that there is something that has to
    enter
    > into experiments other than the measuring instruments, and I think science
    > would agree that "Conceptually Unknown" is an acceptable name for it.

    That is indeed a beautifully stated synthesis. But I see Scientism and Art
    as two very different disciplines, each with its own unique agenda.

    The scientist seeks to expand man's knowledge of the universe by
    establishing facts of a quantitative or model-conforming nature. Facts are
    verifiable by virtue of their repeatability and predictive results. So the
    function of Science is to build on an existing database for practical
    purposes.

    The artist seeks to satisfy the poetic or "Epicurean" soul by applying his
    inspiration and talents to the production of esthetic works. The measure of
    the artist's success is the "quality" or perceived value of these works to
    his audience. I think any attempt to relate the two disciplines amounts to
    an 'apples and oranges' comparison.

    You may be correct that I haven't assimilated all of Pirsig's ideas as well
    as I might have, had I studied them methodically. While I gave a good deal
    of attention to the SODV, which I believe was masterful, I read ZMM and Lila
    as novels, making mental notes of those passages which related most closely
    to my own philosophy, but without attempting to put it all together as a
    unified theory. So, I'll admit that I came to Pirsig with a bias in the
    direction of Essence. Possibly you see that as unfair; however, given this
    bias, I have seen nothing in the Pirsig quotations posted in the MD that
    would change my current view.

    Still essentially yours,
    Ham

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